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More like this. Storyline Edit. Add content advisory. Did you know Edit. Trivia Bela Tarr decided to cast amateur actors only. User reviews 3 Review. Top review. A huge disappointment. I guess i was plain unlucky.. But I am not deterred and look fwd to watching his other later work. This film was an exercise in dullness at least for a non hungarian non European like me. The film has not aged well at all and his methods of shooting only extreme closeups was pretty headache inducing.

Think Tarr was both lucky and talented to have found backers after this. The story of Angreas who is a musician and his dysfunctional life of playing the violin, working as a nurse and marrying a girl to get dumped by her in a difficult social environment could have been quite interesting but Tarr chooses to make it difficult for us. I was prepared for lack of story but not for a lack of interesting visuals.

Details Edit. Release date January 28, Hungary. Hungarian Slovak. The Outsider. Technical specs Edit. Runtime 2 hours 2 minutes. As a result, there was actually an implication that, if freed from the oppressive weight of this flawed society, these characters might actually be able to find some degree of happiness.

Characters in future Tarr films would not be so fortunate. In those films, it was the oppressive weight of human existence that imprisoned them, and that, unlike society, is entirely inescapable. Tarr decided to go with color here, which was effective despite being inconsistent with his other films, but otherwise the style here is very similar to his first film.

In both cases we have a low budget production with hand-held camera-work, nonprofessional actors I believe , and an overall realist aesthetic. However, unlike "Family Nest", there are moments in "The Outsider" that really do move toward formalism.

So you can tell that Tarr did at least have that vision inside of him when he made this film, even if he was just beginning to express it, and to nourish it as it evolved bit by bit into what would eventually become his preferred style of filmmaking.

Other than the superficial change to color, the place where "The Outsider" can be most contrasted with "Family Nest" is the source of the conflict, which was external in "Family Nest", and is internal in "The Outsider". On a content level, "The Outsider" is a bit of a cross between a traditional exercise in social realism and an existential meditation on the human spirit i.

Ingmar Bergman. In "Family Nest", the problems that were responsible for the misery of the central characters were largely external, originating outwardly in their flawed environment and social milieu.

In "The Outsider", the fundamental barrier that stands between our protagonist and happiness is an inner one. This chicken-egg conundrum was eventually resolved by Tarr, by the time he reached "Damnation", maybe before. In "Family Nest", the despairing human spirit is an echo of a broken social climate. The misery begins on the outside, and is carried inward by victims of a flawed system. In "The Outsider", however, this model of human suffering is reversed.

Society is the fractured form spawned from existential discontent, an inherent burden of the human condition. Misery originates in the interior world of the human soul, and ripples outward into society, thus moving in a direction opposite to the one it took in "Family Nest". Finally, in "Damnation" and Tarr's subsequent works, the question of from where human misery originates is resolved.

Or, rather, I should say, it is ignored all together. It has been asked, and no answer having been found, it is set aside as inconsequential. In "Damnation", neither the tormented interior world of the soul nor the desolate exterior landscapes hold the source of human despair. Anguish is simply a reality of human life, and so we find it in both worlds: the internal and the external.

The forsaken, barren landscapes of the physical world are simply a reflection of the anguish in our souls, and conversely, the suffering that is inherent to the human soul is merely a reflection of the cold and harsh universe that envelops us. The inner and the outer worlds of human existence are mirror images, and in that image we find despair, anguish, and misery. There is no origin. Ultimately, "The Outsider" is a formative work for Tarr, and by no means one of his best films, but by any other standards than the extremely high ones that Tarr has set for himself with his more recent films, it's a legitimately impressive film.

Run Amok? I much prefer formalism to realism, but in the latter category, it doesn't get too much better than this. Create a list ». Watched Movies. Everything Coming to Hulu in May See all related lists ».